While reading Carlo Rovelli, I discovered that time is not universal, but rather human and cultural, arising from the interaction of events; the author points out that “it is not unique—there is a distinct duration for each trajectory.” A world without time superimposes paintings from more than ten years ago, ancient hexagrams, and digital processes: painting, photography, digitization, and algorithmic intervention make room for the randomness of the oracle. My past creations, revisited with contemporary tools, generate a visual palimpsest where different temporalities coexist, reflecting memory, chance, and change in a time that is constantly renewing itself.
Digital print mounted on a stretcher frame. Fine art digital print on 385 gr. Canson Canvas Pro Museum, with a certificate of authenticity.
Printing technique: GLICEÉ using acid-free, non-abrasive mineral pigments, printed on a Canon Pro-6000. Acid-free canvas with a museum seal and meeting conservation standards.